New Movies on Netflix. Werner Herzog’s Cave of Forgotten Dreams is the story of humanity’s oldest surviving pieces of artwork: everything they can teach us about ourselves and how we got here. That he is somehow able to waddle his way into the most exclusive (and sometimes terrifying) situations is nearly incomprehensible, until one realizes that, to some extent, all his weirdness probably makes him seem so non-threatening that the folks who spill deeply incriminating confessions probably never figure his footage will ever see the light of day. The car sped off into the night while Turko fired hopelessly in its wake and Wood died at her feet. But what does this mean for the audience watching Eric’s story play out on screen? Turko’s recollections of the driver were meager, and 50 investigators worked through the sparse clues without a single witness. —Whitney Friedlander, Year: 2016 Director: John Scheinfeld Now, before we get into the fundamentals of how you can watch 'Lessons of Darkness' right now, here are some finer points about the Werner Herzog Filmproduktion, Première, Canal+ war flick. A cop killer was on the loose in Dallas. By the time Morris left three years later, he had freed an innocent man, identified a murderer, uncovered widespread corruption and earned death threats, law suits and debt. Sorry, Britain's Darkest Taboos (2016) isn't available on Netflix France, but is available in a different country. Bekijk de trailer van Britain's Darkest Taboos (2016) ! To find a diamond in the rough, you need to dig a little deeper. UNLIMITED TV SHOWS & MOVIES. Even footage from late in Simone’s career provides evidence of her insane musical skill: her reinterpretation of early hit “My Baby Just Cares for Me” over a piano arrangement that sounds like one of Bach’s Inventions is astounding in about 30 different ways at once. It’s as good an anti-war film as any that’s been made, and you will leave The Civil War overwhelmed, staggered, devastated by the loss of so much blood and innocence, at once glorying in Emancipation and the heroes of the Union cause. If nothing else, Petra Epperlein and Michael Tucker’s Karl Marx City offers a necessary riposte to Florian Henckel von Donnersmarck’s film—and not just because one talking-heads expert in the film takes devastatingly direct aim at that film’s bogus sentimentalities. There’s always been something romantic about independent minor league baseball teams, but that romance has never been quite in full bloom like the story of the Portland Mavericks, a team with no major league affiliation. It’s a film about the test and trial of men … And survival.” It doesn’t necessarily matter how Dengler escaped, but that he was able to at all. Ultimately Gray’s film gives us hope that individual good can overcome institutionalized evil. 8,0 Extras. Devotees shouldn’t expect much of a deep dive here on any level; via home movies, archival footage and personal diaries read by Denzel Washington, the film takes a linear, survey-style approach to his North Carolina childhood and drug-addled twenties, two marriages, and quick succumbing to liver cancer in 1967 at only 40. In spite of the sappy title, this recent documentary is an excellent primer on the birth of women’s liberation movement, tracing its earliest years (1966-’71) and the burgeoning power of organizations like NOW. Without question, the film is an interrogation of what it means to watch—as those who led the genocides; as those who are loved ones of those who led the genocides; as those who must repress the anger and humiliation of living beside such people every day; and, most palpably of all, as those of us who are distant observers, left with little choice but to witness such horror in the abstract. The sequence about his civil rights opus “Alabama,” which took its phrasing cues from the cadence of Dr. Martin Luther King Jr., is a stirring illumination of his creative process. Jazz musicians such as Wayne Shorter and Charli Persip talk about their friend with specificity and insight, and Lee Morgan’s music—as well as the music he played in other people’s bands—fills the soundtrack. Those old and new to John Coltrane will find something to appreciate in this vivid, albeit effusive, tribute to the jazz legend. Retreating Iraqi forces were ordered to blow up Kuwait's oil fields. JOIN NOW SIGN IN. As Coltrane’s notes unfold atop King’s words, music and speech flow into and out of each other in a still urgent, impassioned release. 8,3 Kamen Rider Kabuto: God Speed Love. ", "The Helen Reddy story and the song that inspired a revolution", 'Love, Weddings and Other Disasters' Trailer, 'The Opening Act' Interviews with Jimmy O. Yang & Steve Byrne. If you didn’t live in East Germany during the decades the Stasi was extending its insidious reach, perhaps your only knowledge of the GDR secret police comes from the 2007 Oscar-winner The Lives of Others. Filmmaker Dylan Mohan Gray asserts that beginning in 1996, Western pharmaceutical companies as well as the governments of many countries in Africa and on other southern continents prevented low-cost AIDS medicines from reaching the people who needed them. 'Lessons of Darkness' is currently available to rent, purchase, or stream via subscription on Fandor, Tubi, Shout! Here's the plot: "This film shows the disaster of the Kuwaitian oil fields in flames. From its very first moments, Biggie & Tupac—a sort of truther’s glimpse into the murders of rappers Notorious BIG and 2Pac—is an exceptionally strange film. It took the combined efforts of global figures like Bill Clinton and Desmond Tutu, as well as lesser-known ones such as Columbia University economist Joseph Stiglitz, to turn the tide on the AIDS epidemic. But perhaps the most noteworthy achievement of Karl Marx City lies in the way it manages to use Epperlein’s own personal story—her quest to discover whether her late father was, in fact, a Stasi informant—as a conduit to explore this harrowing period in German history without coming off as merely solipsistic. —Andy Crump, Year: 2002 Director: Nick Broomfield The film is made up of one single take. The film is a tribute to the remarkable efforts of the oil well firemen from Texas and Louisiana who extinguished the fires in record time. Nine years later, in 1985, a documentarian named Errol Morris drifted into town from New York. In Best of Enemies, Neville has teamed with Gordon to pull back a different curtain, one concealing the very real ugliness bubbling and boiling off-camera for the length of ABC’s attempt at spicing up the otherwise staid world of political commentary. It’s yet another one of those seemingly random yet functionally primordial bits of human minutia that the German director’s imagination so often keys upon, and in this case it yielded one of his most placidly beautiful, intimate films. With characters like blackballed Yankees pitcher Jim Bouton, the first woman general manager in baseball (age 24) and the first Asian-American (at 22), the inventor of Big League Chew, batboy Todd Field (Oscar-nominated screenwriter for In the Bedroom), and a ball dog, the antics of the team were as entertaining as the game itself. In its best moments, Chasing Trane succeeds in that as well. Documentary legend Errol Morris’ Netflix project is a lesson about the struggles of how much distrust we can still have for the very people we have to trust to get the answers. —Josh Jackson, Year: 2014 Director: Mary Dore The following films and miniseries range cover everything from ancient cave paintings to mysteries still being uncovered, but they all tell fascinating stories from the past. In contrast to the common documentary film there are no comments and few interviews. Our ability to speak the same language has long been fractured, and Best of Enemies tracks the faultlines of that social temblor with remarkable precision. It was 50 years ago this past August that Charles Whitman ascended the university tower with a cache of guns, killed three people inside, and went on to kill another 11 plus an unborn baby over the course of an hour and a half. What happened? —Neil Forsyth, © 2020 Paste Media Group. 54 m - Documentaries. Watch now for free. Collin understands that his film is about people, not art, but his deft storytelling—and the endless sadness that comes from his tale—flexes its own nimbleness and beauty. So while it would be nice if Mercury 13 showed a bit more about the transition from an all-male astronaut program to a co-ed one (it skips straight from the 1962 testimonies before Congress to Eileen Collins in the early 1990s) and addressed the social and political forces that kept the astronaut program so white for so long (Mae Jemison makes a single appearance in archival footage, but otherwise there is no reference is made to the forces that made the both the Mercury 13 and John Glenn’s cohort universally white), the very fact that it is making available to millions of people a part of history that is not well known makes it more than worth your time the next night you feel a hankering to stream a documentary. Still want to view it? The film will be heaven for jazz aficionados, but those who don’t know the difference between bebop and hard bop won’t feel lost. He had also made one of the finest documentary films of the past 30 years—a nimbly stylized and obsessive pursuit of truth; a study in and a shrug to the pitfalls of myopia; the Serial podcast before podcasts ever existed; in Philip Glass’s score, a template for all true crime soundscapes to come; an epic story of life and death and the labyrinth of justice; an indictment of the misuse of power and a clear example of what happens when our broken system works as it was supposed to. —Amanda Schurr, Year: 2015 Director: Liz Garbus Burns has been criticized for letting too much “Lost Cause” mythology seep into the project, but even if you see men like Virginians Robert E. Lee or Stonewall Jackson as morally complex—and morally compromised—figures by the end of the final “episode,” Burns leaves no room for interpretation: The War was fought over slavery, and the South almost burned the country down to ensure that institution’s survival. When Wood approached the vehicle, the driver pulled a handgun and shot him five times. Documentarian Kasper Collin—who previously made My Name Is Albert Ayler, also about a jazz musician—looks at the difficult, abbreviated life of trumpeter Lee Morgan, who was shot dead in the winter of 1972 in New York.
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